So which film will *you* watch at a theatre near you?
After a spell of relative calm, Jammu and Kashmir witnessed a spate of killings of innocent civilians last month, triggering apprehensions of an intense cycle of violence and turmoil in the region.
This partnership will allow users to choose from a wide variety of music to add to their social experiences such as videos, stories via music stickers and other creative content.
Joginder Tuteja looks at actors with the most movies in the pipeline.
Sukanya Verma lists 10 of her favourite songs of the year, in no particular order.
'It is a very uncomfortable film to watch, and that is what makes it so good. A good film should be able to get into our skin, challenge us, shake us up and Talvar does all of that.' Aseem Chhabra reviews Meghna Gulzar's film on the Aarushi murder case, the first of our reviews on arguably the most controversial movie of the year.
Former Jammu and Kashmir chief minister Ghulam Nabi Azad on Sunday launched a veiled attack on Congress leaders and said he gave sweat and blood for the party unlike those who are spreading 'falsehood' through social media.
Just what do actors *do* the whole day?
Vicky reunites with his Raazi director Meghna Gulzar.
We have lost Irrfan, but his legacy lives on.
Of course, it has something to do with Bollywood!
Irrfan plays a pivotal role in a television series entitled The Tokyo Trials
The cons are dull, the chemistry is off, the zingers are in short supply and a kitschy display of brand logos and hammy accents takes centre stage, sighs Sukanya Verma.
Sukanya Verma looks at the recent spate of book-to-screen adaptations.
Bollywood is known to make everything look dazzling and dramatic -- suffering, seclusion, hopelessness.
The Prime Minister "congratulates A R Rahman, Resul Pookutty (sound engineer), Gulzar (lyricist), and entire Slumdog Millionaire team for the success at the Oscars," a PMO spokesperson said. Singh said "they have done India proud".
Sukanya Verma lists her top 15 songs of the year.
White is pure. White is powerful. And our movies just love to channelise its immaculate energy and enhance a visual's impact.
Kapil Dev's historic World Cup win wasn't the only highlight of 1983. Sukanya Verma looks back how the year treated Bollywood.
There will be as many as 9 historicals coming up in the next 15 months!
here's looking at all the fun.
Sukanya Verma looks at how the ladies scorch the streets in silver.
Joginder Tuteja takes a look at just how good this month is for Bollywood.
'It feels extremely painful when you tell a contestant that your journey ends here or that you have to go back home.' 'My heart breaks at that point because each one of them is an exceptional talent.'
A look at the arrivals.
Sukanya Verma revisits Gulzar's Ghalib and finds Barsaat, and Free Love!
Aseem Chhabra sensed an internal turmoil in Vinod Khanna, which sometimes showed the moody person on screen.
'When you sing, you have to be in the song. You have to feel it or else, don't do the song.' 'That's why I haven't delivered a bad song in my career.'
Sonali's unrelenting spirit, Jai's unacceptable loss, Ijaazat's timeless melancholy, Neetu Singh's zing and not enough Sacred Games dominates Sukanya Verma's Super-Filmi Week.
Bunty Aur Babli turns 15 while Amar Akbar Anthony turns 43.
Sukanya Verma celebrates the acting legend.
'My inspiration to write songs for any film must come from the script alone. I am not writing an independent poem. What I write is drawn from the characters and their relationships,' Gulzar tells Sonil Dedhia.
The meeting lasted for nearly two and a half hours.
I remember a showbiz wedding during which guests had to sit through several painstakingly rehearsed but awkward dances performed by the bride's and groom's relatives. When Karan rolled his eyes, I smiled and said to him, 'You started it, now you suffer it.' An enchanting excerpt from Anupama Chopra's A Place In My Heart.
Despite the Delhi police's tarnished reputation in recent months, viewers find themselves rooting for Inspector Hathiram Chaudhary because he displays both vulnerability and remorse, observes Ranjita Ganesan.
